I wrote this capsule blurb thing for inclusion in a list of Essential Monster Movies for the Armchair Reader Goes Hollywood book, but another editor’s version got used instead (it was good but not fittingly humorous the way mine is, if you’re asking me). This doesn’t really fit the theme of my blog at all. Lately, nothing really does, though, does it? Or had you not yet noticed?
Godzilla (1954)
Created as much by radioactive fallout as by Japan’s still-fresh unease concerning nuclear destruction, Godzilla screamed and stomped his way out of the ocean and all over Tokyo in this 1954 classic. You could call Gojira by his Japanese name, but he wouldn’t hear you—he’s several hundred feet tall and busy melting man’s barriers with his atomic breath. Even in black and white, the not-very-jolly green giant lizard scared up a host of sequels and copycats: 1975’s Terror of Mechagodzilla featured a robotic Godzilla clone, while 1962’s King Kong vs. Godzilla handed Godzilla a stinging defeat at the hands of a big ape. Though mostly entertaining, no follow-up ever matched the original’s mix of monster thrills with post-World War II political and scientific paranoia.
Pancake Dominion 
December 28th, 2010 at 4:51 pm
FOR IMMEDIATE RELEASE
Agoura Hills, California
“MUSHROOM CLOUDS AND MUSHROOM MEN — THE FANTASTIC CINEMA OF ISHIRO HONDA” by Peter H. Brothers.
For the first time in America, a book has been published on Japan’s foremost director of Fantasy Films: “MUSHROOM CLOUDS AND MUSHROOM MEN – The Fantastic Cinema of Ishiro Honda” (AuthorHouse, ISBN: 978-1-4490-2771-1).
Known primarily for directing such classic Japanese monster movies as Rodan, Mothra, Attack of the Mushroom People and the original Godzilla, Honda has been a much-overlooked figure in mainstream international cinema.
MUSHROOM CLOUDS AND MUSHROOM MEN is the first book to cover in English print Honda’s life as well comprehensively evaluates all 25 of his fantasy films. It is also gives objective and critical analysis of Honda’s filmmaking methods, themes and relationships with actors and technicians.
Making use of extensive interviews from Honda’s colleagues, as well as a wealth of original source material never before gathered into one volume (including previously-unpublished essays), MUSHROOM CLOUDS AND MUSHROOM MEN is an affectionate tribute to the most-prolific and influential director in the history of fantasy films.
Best Wishes and Thanks!