Tag Archives: Michael J. Fox

Tapping the Light of Day

People in America aren’t seeing much Light of Day these days. Far as I can tell, 1987’s smallish “Problems of Being in a Cleveland, Ohio, Bar Band” movie has never been available to the US market on DVD. If you want a legit copy of it—and you happen to have a not-so-legit region-free DVD player—go ahead, be my guest: Buy the Region 2 edition for (when last I checked) $199.00 plus shipping. Knock yourself out. Personally, I’m living happily with my beat-up old VHS of it.

I kind of thought that the release of the 2010 film The Runaways, which detailed the formation of Light of Day frontwoman Joan Jett’s early real-life band, would’ve maybe prompted the reintroduction of Light of Day here in the States. Didn’t happen. Still, it’s a pretty decent movie. Joan Jett’s good in it, as Patti Rasnick, lead singer of The Barbusters; Gena Rowlands is her over-religious mom; Jason “The Exorcist” Miller shows up; and Michael J. Fox capably provides lead Barbuster guitar. He and little Benji Rasnick even play an improvised song, “You Got No Place to Go,” on guitar together. And no less a talent than Paul Schrader directed.

When I first came across it not long ago, that last factoid sort of shocked me : Paul “Taxi Driver/Raging Bull/Last Temptation of Christ/Affliction” Schrader had directed an all-but-forgotten Michael J. Fox rock band vehicle I had enjoyed at least twice on late-night cable as a teen? Weird. That same fact also brings me now to the reason for this post.

Last time I watched Light of Day—mostly to see if it was, like a Schrader movie should’ve been, as good as I remembered—I was watching pretty carefully. And I noticed something. Something that referred, without question, to the undisputed king of movies about fictional rock bands. Something graffitied on a punk rock dressing room wall, prominent enough, yet almost hidden among a million other scrawled and spraypainted messages in the background behind Joan Jett’s consternated Patti Rasnick. See if you notice it too:

See that? Right next to the blue shirt? Look here or check out 2:06 in this clip if you prefer moving images I’m not good enough to have faked. SMELL THE GLOVE? Really? That kind of blew my mind, as it would the mind of anyone who’s seen This Is Spinal Tap as many times as I have. Need I even tell you that Smell the Glove (Polymer, 1982) was the (fictional) album that the (fictional) band Spinal Tap spent the better portion of Rob Reiner’s 1984 mockumentary touring in support of? Just for fun, let me quote Bobbi Flekman here as regards Smell the Glove‘s infamous original cover art:

“…a greased, naked woman on all fours with a dog collar around her neck and a leash, and a man’s arm extended out…holding on to the leash and pushing a black glove in her face to sniff it.”

Who, you’re asking, might—if given the chance—advertise crudely on a bar-basement wall for such an offensive and, in fact, non-existent LP? As far as those who must’ve had All Access on Schrader’s Light of Day shoot, I’d say Suspect #1 has got to be Bu Montogomery, bass player for The Barbusters:

Michael McKean as Bu Montogomery, bass player for The Barbusters

See, in Light of Day, Bu Montgomery’s bass was played by none other than actor Michael McKean. Did the whole thing of this post just clang you on the head as hard as it did mine….?

Just in case it didn't: Michael McKean also toured extensively with another band—as David St. Hubbins, lead singer of Spinal Tap!

Nice, legible vandalism on the Light of Day set, Michael McKean! Good job! I’ll bet Smell the Glove is a really cool record! I believe your graffiti has convinced me to go out and buy it!

Hold on though: I don’t want to just post all this and rush off, forgetting to inform you that there’s a fairly intriguing Suspect #2, himself a Clevelander and a big music fan. The kind of guy for whom Smell the Glove and Spinal Tap just might’ve been a pretty big deal, round about 1987. A budding force of nature who himself worked in actual bar bands and as a janitor at Cleveland’s own Right Track Studios. A man whose only film appearance came with 1987’s Light of Day and his blink-and-you’ll-miss-it role as vocalist/keyboardist for The Problems, a local band in competition with Patti and Joe Rasnick and Bu Montgomery’s Barbusters, on stage right there at the Barbusters’ very own home-base bar, the Euclid Tavern. Suspect #2’s name? That would be Trent Reznor:

David St. Hubbins himself sums all of this up as well as anyone probably could:

I believe virtually everything I read, and I think that is what makes me more of a selective human than someone who doesn’t believe anything.

Amen, David St. Hubbins. Amen.

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